BODY BUILDING
December 12 – 15, 2005
A series of interventions within KUA.
Considering the buildings of the University of Copenhagen as spaces of performances, from phenomenal experience to social interaction, from power fields to structural secrets, BODY BUILDING aims to generate analytic and playful interpretations. Works will take the form of actions, insertions, and architectural studies, extrapolating information through creative research and articulating critical perspective through material installation. Developed in conjunction with the course BODY BUILDING: Architecture & Performance, fall semester 2005.
 
Adventure book
The Sofa Project No man’s land Sound Mapping
Chalk Talk
  PARTY ROOM syllabus

SOUND MAPPING -A Sonic tour through the new KUA

download map

download tracks here:
track 1
track 2
track 3
track 4
track 5
track 6
track 7

In our project we seem to have been travelling between the preservative and explorative. Working with field recordings, recording on what equipment was available – mp3 players, dictaphones and mini-disc players - we’ve tried to enhance our own awareness of the sounds that are generated in the recently constructed university complex in Amager. We’ve recorded our walks through halls and down stairs, ourselves smoking, eating, breathing; the noise of coffee machines, elevators, plates, doors and toilets flushing. The sounds haven’t been chosen solely for being exclusive to the buildings as you may probably find them in office-like constructions everywhere. But they still conjure memories from specific days in the minds of the people who were recording. We’re thus preserving these personal memories as well as the collective working and exploration process.

In our recordings and in the edited result of them - an audio-guide through the buildings - we are working within the tradition of Sound-Art and ambient music - not only registering sounds. To some extent we’re also manipulating them, playing sounds from one part of the building in other spaces, searching for ways to let the sound interact with the space we play it in. This was only partially planned beforehand, as our walks through the buildings brought to our attention not only the sounds of the spaces, but the construction, materiality, temperatures and decoration of the new KUA buildings. Explorations that have only increased our curiosity about the significance of how the spaces of KUA are constructed, used, perceived and ignored; a curiosity that we of course hope to pass on to the people who decide to take this walk with us.

Even if the documentation - our perception of sound and ideas of KUA - in some ways might be time-specific, we are planning to let the recordings be available for a longer period of time online. Thus leaving anyone interested the chance for taking the tour, just by downloading a file and playing it on an portable player.

- Agnieszka Streminska, Anna Oksanen, Florian Hollunder, Lars Brund Jensen, Paw Grabowski, Urszula Wozniak, Verena Leitner, Veronika Eberhart, and Mattia Velati

SOUND MAPPING the ghost walk through KUA

The experience of surroundings is the sensual one.
Space, texture, height, length, depth, weight are all bodily sensations.
Although notion of social construction/definition of every experience is more than relevant, our senses are those that give us the direct itch.
Sight
Hear
Touch
Smell
Of which sight is dominating.
That we want to change.
Empowering the sounds.
Exposing the sounds.
Engaging with the sounds.
Escalating sounds.
Extending the sounds.
Entering the sounds.
Extracting the sounds.
Escaping to sounds and from sounds.
Mapping the sounds,
Creating the sound path,
Revealing the sound tissues of surroundings,
SOUND MAPPING PROJECT
Aims at awaking the sound-awareness,
Showing the sound sensations of the architecture.